PEDAL
32′ Bombarde*
32′ Diaphone*
32′ Contra Tibia*
16′ Double English Horn*
16′ Solo Trumpet*
16′ Tuba Profunda
16′ Diaphone (Wood)
16′ Diaphonic Horn (Metal)
16′ Tibia Clausa (Solo)
16′ Double Gamba*
16′ Contra Viol
16′ Clarinet
16′ Oboe Horn*
16′ Bourdon
8′ English Horn
8′ Tuba Mirabilis
8′ Solo Trumpet
8′ Harmonic Tuba
8′ Trumpet
8′ Open Diapason
8′ Horn Diapason
8′ Pedal Tibia Clausa
8′ Tibia Clausa (Solo)
8′ Tibia Clausa (Main)
8′ Lieblich Tibia
8′ Solo String
8′ Gamba
8′ Violin
8′ Cello (VDO)
8′ Clarinet
8′ Kinura
8′ Oboe Horn
8′ Flute
8′ Dulciana
4′ Principal
4′ Tibia Clausa (Solo)
Mixture 3rks
8′ Principal
8′ Gedeckt
16′ Piano
8′ Piano
Timpani Roll (Synth)
Timpani Tap (Synth)
Bass Drum
Kettle Drum
Crash Cymbal
Tap Cymbal
Sizzle Cymbal
Choke Cymbal
Brush Cymbal
Octave
Accomp to Pedal
Great to Pedal
Great Oct Pedal
Orchestral to Pedal
Orchestral Oct Pedal
Solo to Pedal
Antiphonal to Pedal
PEDAL BACKRAIL
Digital Interface #1
Digital Interface #2
8′ Tibia Clausa (Solo) Pizz
Solo to Pedal Pizz
ACCOMPANIMENT
8′ English Horn
8′ Harmonic Tuba
8′ Trumpet
8′ Open Diapason
8′ Horn Diapason
8′ Tibia Clausa (Main)
8′ Lieblich Tibia
8′ Clarinet
8′ Krumet
8′ Orchestral Oboe
8′ Kinura
8′ Saxophone
8′ Gamba
8′ Violin
8′ Viol d’Orchestre
8′ Cor Anglais
8′ Oboe Horn
8′ Quintadena
8′ Concert Flute
8′ Flute Celeste
8′ Vox Humana (Solo)
8′ Vox Humana (Main)
8′ Dulciana
4′ Octave4′ Octave Horn
4′ Piccolo (Main)
4′ Lieblich Piccolo
4′ Gambette
4′ Violin
4′ Viol
4′ Flute
4′ Flute Celeste
4′ Vox Humana
4′ Vox Humana
4′ Dulcet
2 2/3′ Twelfth (Flute)
2′ Piccolo (Main)
2′ Harmonic Piccolo
2′ Piccolo (Flute)
8′ Piano
4′ Piano
8′ Accordion
Marimba
Sub Harp
Harp
Sub Vibraphone
Vibraphone
Sub Chrysoglott
Chrysoglott
Snare Drum
Tom Tom
Tambourine
Castanets
Maracas
Chinese Block
Sand Block
Jazz Cymbal
Sub Octave
Unison Off
Octave
Great Oct Accomp
Orchestral to Accomp
Solo to Accomp
Antiphonal to Accomp
ACCOMP BACKRAIL
Digital Interface #1
Digital Interface #2
2nd Touch
8′ English Horn
8′ Tuba Mirabilis
8′ Solo Trumpet
8′ Harmonic Tuba
8′ Open Diapason
8′ Tibia Clausa (Solo)
8′ Lieblich Tibia
8′ Clarinet
8′ Krumet
4′ Piccolo (Solo)
4′ Piccolo (Main)
2′ Piccolo (Solo)
8′ Piano
Harp
Master Xylophone
Glockenspiel
Cathedral Chimes
Triangle
Finger Cymbals
Accompaniment Traps
Great Oct Accomp
Orchestral to Accomp
Solo to Accomp
Antiphonal to Accomp
Solo to Accomp Pizz
GREAT
16′ Double English Horn
16′ Tuba Mirabilis TC
16′ Solo Trumpet
16′ Tuba Profunda
16′ Diaphone
16′ Diaphonic Horn
16′ Tibia Clausa (Solo)
16′ Tibia Clausa (Main) TC
16′ Lieblich Tibia
16′ Clarinet
16′ Krumet TC
16′ Orchestral Oboe TC
16′ Musette TC
16′ Saxophone TC
16′ Double String TC
16′ Double Gamba
16′ Violone TC16′ Contra Viol
16′ Vox Humana (Solo) TC
16′ Vox Humana (Main) TC
8′ English Horn
8′ Tuba Mirabilis
8′ Solo Trumpet
8′ Harmonic Tuba
8′ Trumpet
8′ Open Diapason
8′ Horn Diapason
8′ Tibia Clausa (Solo)
8′ Tibia Clausa (Main)
8′ Lieblich Tibia
8′ Clarinet
8′ Krumet
8′ Orchestral Oboe
8′ Kinura
8′ Musette
8′ Saxophone
8′ Solo String
8′ Gamba
8′ Violin
8′ Viol d’Orchestre
8′ Cor Anglais
8′ Oboe Horn
8′ Quintadena
8′ Concert Flute
8′ Vox Humana (Solo)
8′ Vox Humana (Main)
5 1/3′ Quint (Solo Tibia)
5 1/3′ Lieblich Quint
4′ Clarion
4′ Octave
4′ Octave Horn
4′ Piccolo (Solo)
4′ Piccolo (Main)
4′ Lieblich Piccolo
4′ Solo String
4′ Gambette
4′ Violin
4′ Viol
4′ Harmonic Flute
4′ Flute
3 1/5′ Tenth (Solo Tibia)
2 2/3′ Twelfth (Solo Tibia)
2 2/3′ Leiblich Twelfth
2 2/3′ Twelfth (Flute)
2′ Piccolo (Solo Tibia)
2′ Lieblich Piccolo
2′ Fifteenth
2′ Harmonic Piccolo
2′ Piccolo (Flute)
1 3/5′ Tierce (Solo Tibia)
1 3/5′ Tierce (Flute)
1 1/3′ Larigot (Solo Tibia)
1′ Fife (Solo Tibia)
Mixture 5rks
16′ Piano
8′ Piano
4′ Piano
Marimba
Harp
Master Xylophone
Xylophone
Orchestra Bells
Glockenspiel
Vibraphone
Chrysoglott
Cathedral Chimes
Sub Octave
Unison Off
Octave
Orchestral Sub Great
Orchestral to Great
Solo Sub Great
Solo to Great
Antiphonal to Great
GREAT BACKRAIL
Digital Interface #1
Digital Interface #2
Solo Ensemble Gt
Solo Melody
2nd Touch
16′ Double English Horn
8′ Tuba Mirabilis
8′ English Horn
8′ Solo Trumpet
Orchestral to GreatSolo to Great
Orchestral to Great Pizz
Solo to Great Pizz
ORCHESTRAL
16′ Double English Horn
16′ Tuba Mirabilis TC
16′ Solo Trumpet
16′ Tuba Profunda
16′ Tibia Clausa (Main) TC
16′ Lieblich Tibia
16′ String Ensemble (Solo)
16′ String Ensemble (Main)
16′ Saxophone TC
16′ Vox Humana 2rks TC
8′ English Horn
8′ Tuba Mirabilis
8′ Solo Trumpet
8′ Harmonic Tuba
8′ Trumpet
8′ Open Diapason
8′ Horn Diapason
8′ Tibia Clausa (Main)
8′ Lieblich Tibia
8′ Clarinet
8′ Krumet
8′ Musette
8′ Saxophone
8′ String Ensemble (Solo)
8′ String Ensemble (Main)
8′ Quintadena
8′ Cor Anglais
8′ Flute Celeste (2rks)
8′ Vox Humana (2 rks)
8′ Dulicana
5 1/3′ Tibia Quint (Main)
4′ Octave
4′ Octave Horn
4′ Piccolo (Main)
4′ Lieblich Piccolo
4′ String Ensemble (Solo)
4′ String Ensemble (Main)
4′ Harmonic Flute
4′ Flute Celeste (2rks)
4′ Dulicet
3 1/5′ Leiblich Tenth
2 2/3′ Harmonic Twelfth
2 2/3′ Lieblich Twelfth
2 2/3′ Twelfth (Main)
2′ Lieblich Piccolo
2′ Harmonic Piccolo
1 3/5′ Lieblich Tierce
1’ Lieblich Fife
8′ Imperial Trumpet
8′ Piano
Marimba
Harp
Master Xylophone
Xylophone
Glockenspiel
Chrysoglott
Vibraphone
Cathedral Chimes
Sub Octave
Octave
Antiphonal to Orch
ORCH BACKRAIL
Digital Interface #1
Digital Interface #2
Great to Orchestral Pizz
Solo to Orchestral Pizz
Solo Ensemble Orch
Solo Melody
SOLO
8′ English Horn
8′ Tuba Mirabilis
8′ Solo Trumpet
8′ Harmonic Tuba
8′ Trumpet
8′ Open Diapason
8′ Horn Diapason
8′ Tibia Clausa (Solo)
8′ Tibia Clausa (Main)
8′ Clarinet
8′ Krumet
8′ Orchestral Oboe
8′ Kinura
8′ Musette
8′ Saxophone
8′ String Ensemble (8 rks)
8′ Cor Anglais
8′ Oboe Horn
8′ Quintadena
8′ Vox Humana (2 rks)
4′ Piccolo (Solo)
4′ Piccolo (Main)
4′ String Ensemble (8 rks)
4′ Harmonic Flute
2 2/3′ Twelfth (Main)
2′ Piccolo (Solo)
2′ Piccolo (Main)
1 3/5 Tierce (Main)
8′ Imperial Trumpet
8′ Piano
8′ Accordion
Marimba
Harp
Master Xylophone
Xylophone
Orchestra Bells
Glockenspiel
Sleigh Bells
Saucer Bells
Vibraphone
Chrysoglott
Cathedral Chimes
Sub Octave Coupler
Unison Off
Third Coupler
Fifth Coupler
Octave Coupler
Tenth Coupler
Twelfth Coupler
Tierce Coupler
Larigot Coupler
Accomp Sub Solo
Accomp to Solo
Orchestral Sub Solo
Orchestral to Solo
Orchestral Oct Solo
Antiphonal to Solo
SOLO BACKRAIL
Digital Interface #1
Digital Interface #2
Digital Interface #3
ANTIPHONAL
8′ Imperial Trumpet
8′ Principal
8′ Gedeckt
4′ Principal
4′ Nachthorn
2 2/3′ Twelfth
2′ Fifteenth
GENERALS
Horn Diapason Cel. Off
Solo String Cel. Off
Gamba Cel. Off
Violin Cel. Off
Viol d’Orch Cel. Off
Dulciana Cel. Off
Master Xylophone Re-it
Xylophone Re-it
TREMULANTS
Main I 5 rks
Main II 4 rks
Main III Clar/Dia
Solo I Sax, Hn Dia, Kin
Solo II Krum/Mus
Solo III Str/Oboe Hn
Solo IV (Str/Quint/Cor)
Tuba Mirabilis
Trumpet
Trumpet
Tuba
Solo Tibia
Main Tibia
Lieblich Tibia
Harmonic Flute
Vox Humana I & II
Antiphonal
KEYCHEEK CONTROLS
Accompaniment
Left:
Crash Cymbal
Roll Cymbal
Sostenuto*
Bird #1
Wind chimes
Right:
Bell
Antiphonial Blower
Great
Left:
Sostenuto*
Solo 4th touch*
Great trems on*
Right:
Transposer Up*
Transposer Neutral*
Transposer Down*
Orchestral
Left:
Orch 4th touch*
Sostenuto*
Orch 2nd Touch Trems Ontrems on*
Rt: Swell Shades Select
Full*
Normal*
Soft*
Solo
Alternate Crescendo*
OTHER CONTROLS Combination Pistons:
4 memory levels + tape storage
15 per manual
12 pedal (Accomp/toe)
15 Pedal/Acc 2nd touch
24 Generals
6/top 3 manuals
6 on toe pistons
Cancels
(above Solo manual) Gen, Acc. & Pedal trap
Trem reversable
Divisional label cancels
Toe Pistons
Trem, Trap, Gen. Cancel
Wind Chimes; silencer
32′ Tibia, Bombarde,
16’Post Horn reversibles
6 General/pedal pistons
Piano Pedals
Roll Cymbal
Grand Crash
Pedal Chime
Thunder
Swell Pedals
Main
Solo
General
Piano Sustain/Sost
Crescendo (2 memories)
Swing Out Trays
Left:
Effects (27)
Right:
Console controls
2nd touch trem
switches
rhythm controls
MISC. INFORMATION
4′ Pedal Principal is rank #1 of the 3 rank Pedal Mix.
Above Solo keycheek (left): cresc. indicator; indicator lights for sostinuto, silencer and console power
Silencer controls Tuba Mirabilis and Post Horn
Above Solo keycheek (rt): Select buttons for Viol d’Orch or Viol d’Amore
Console configuration
Main stop rails 225
Left partial 58
Right partial 58
Backrail 77
Total stop keys 418
*Backlight buttons
CHAMBER ANALYSIS
MAIN CHAMBER
| 16′-4′ | Tuba Horn | 85 pipes | Wurlitzer | ||||
| 16′-4′ | Open Diapason | 85 pipes | Wurlitzer | ||||
| 8′ | Trumpet | 61 pipes | Wurlitzer | ||||
| 16′-8′ | Clarinet | 73 pipes | Wurlitzer | ||||
| 8′ | Tuba Mirabilis | 61 pipes | Dennison | ||||
| 8′-2′ | Tibia Clausa | 85 pipes | Wurlitzer | ||||
| 16′-2′ | Lieblich Tibia | 97 pipes | Morton | ||||
| 8′-4′ | Gamba | 73 pipes | Morton | ||||
| 8′-4′ | Gamba Celeste | 73 pipes | Morton | ||||
| 8′-2′ | Violin | 85 pipes | Wurlitzer | ||||
| 8′-4′ | Violin Celeste | 73 pipes | Wurlitzer | ||||
| 8′ | Orchestral Oboe | 61 pipes | Wurlitzer | ||||
| 8′-4′ | Dulciana | 73 pipes | Wurlitzer | ||||
| 8′-4′ | Dulciana Celeste | 73 pipes | Wurlitzer | ||||
| 16′-2′ | Concert Flute | 97 pipes | Wurlitzer | ||||
| 8′-4′ | Flute Celeste | 73 pipes | Wurlitzer | ||||
| 8′ | Vox Humana | 61 pipes | Wurlitzer | ||||
| Mixture 5rks | 305 pipes | Austin | |||||
| Chrysoglott | 49 bars | Wurlitzer | |||||
| Chrysoglott Celeste | 49 bars | Wurlitzer | |||||
| Chimes | 25 tubes | Wurlitzer | |||||
| Saucer Bells | 30 actions | ||||||
| Accordion | 49 notes | ||||||
| Upper Swell Shades | 12 actions | Wurlitzer | |||||
| Lower Swell Shades | 16 actions | Wurlitzer | |||||
SOLO CHAMBER
| 16′-8′ | English Horn | 61 pipes | Haggart | ||||
| 16′-2′ | Tibia Clausa | 97 pipes | Wurlitzer | ||||
| 16′-2′ | Viol d’Orchestra | 97 pipes | Wurlitzer | ||||
| 8′-4′ | Viol Celeste | 73 pipes | Wurlitzer | ||||
| 16′-8′ | Oboe Horn | 61 pipes | Wurlitzer | ||||
| 8′ | Cor Anglais | 61 pipes | Skinner | ||||
| 16′-4′ | Horn Diapason | 73 pipes | Morton | ||||
| 8′-4′ | Horn Diap Cel | 73 pipes | Morton | ||||
| 8′-4′ | Solo String | 73 pipes | Wurlitzer | ||||
| 8′-4′ | Solo String Cel | 73 pipes | Wurlitzer | ||||
| 8′ | Brass Trumpet | 61 pipes | Wurlitzer | ||||
| 8′ | Kinura | 61 pipes | Wurlitzer | ||||
| 8′ | Krumet | 61 pipes | Wurlitzer | ||||
| 8′ | Musette | 61 pipes | Trivo | ||||
| 8′ | Saxophone | 61 pipes | Trivo | ||||
| 8′ | Quintadena | 61 pipes | Wurlitzer | ||||
| 8′ | Vox Humana | 61 pipes | Wurlitzer | ||||
| 4′ | Viol d’Amour 3rks | 183 pipes | Wurlitzer | ||||
| 4′-2′ | Harmonic Flute | 73 pipes | Wurlitzer | ||||
| Pedal Mixture 3rks | 96 pipes | Austin | |||||
| Harp | 49 bars | Wurlitzer | |||||
| Master Xylophone | 37 bars | Morton | |||||
| Xylophone | 37 bars | Wurlitzer | |||||
| Glockenspiel | 37 bars | Wurlitzer | |||||
| Sleigh Bells | 25 notes | Wurlitzer | |||||
| Traps | 40 items | Wurlitzer | |||||
| Upper Swell Shades | 12 actions | Wurlitzer | |||||
| Lower Swell Shades | 16 actions | Wurlitzer |
ANTIPHONAL (UNENCLOSED)
| 8′ | Principal | 73 pipes | Austin | ||
| 8′ | Trumpette en Chamade | 61 pipes | Trivo | ||
| 8′ | Gedeckt | 73 pipes | Austin | ||
| 4′ | Nachthorn | 61 pipes | Wicks | ||
| 2 2/3′ | Twelfth | 61 pipes | Austin | ||
| 2′ | Fifteenth | 61 pipes | Austin |
Steinway 8′ Grand Piano (Pianocorder)
The following 32′ and 16′ extensions are electronically derived:
32′ Bombarde
32′ Diaphone
32′ Contra Tibia
16′ Trumpet
16′ Dbl Gamba,
16′ Dbl Gamba Cel
16′ Oboe Horn,
16′ English Post Horn
Other electronic equipment-32 MIDI channels
Roland 330 sampler; Roland 155 Sound Canvas; Roland JV 880 w/orch expansion board; Lexicon LXP-1 Multi-Effects Processing Module; 2 Mackie 1202 Mixers, QSC 1400 (MIDI) and Alesis RA-100 amplifier (Reverb), Cerwin-Vega/JBL speakers
Console: Reproduction French style Fox Special 4 manual built by Ken
Crome , finished in natural walnut with 418 stop keys & 96 pistons. 4
combination memories each with 2 crescendo settings. Tape backup.
Howard seat or bench available
Multiplexing system: Trousdale
Digital player: Trousdale computer system
Rectifier: 50 amp 3 phase Orgelectra
Blower: 15 hp 3ph Spencer Turbine 26″ static pressure
2 hp 3ph Spencer 8″ (Antiphonal)
Regulators: 23 Wurlitzer; Tremulants: 18 Wurlitzer
Swell shades:
4 horizontal 7 blade wood Wurlitzer
4 vertical 10 blade Plexiglas Wurlitzer
Organ is installed in two trapezoidal chambers approximately 200 square feet each. Chamber height varies from 18′ to 28′. There is a structural floor at the 7’6″ level which becomes a “second” floor upon which the main chests, off-note chests and percussions are mounted.
All tremulants and regulators are located on the lower level. Antiphonal division is divided on south wall of living room. All Austin pipework is from 1925 Morman Tabernacle Organ, Salt Lake City, Utah.