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The Agoura Wurlitzer Stoplist

Agoura Stoplist

PEDAL

32′ Bombarde*

32′ Diaphone*

32′ Contra Tibia*

16′ Double English Horn*

16′ Solo Trumpet*

16′ Tuba Profunda

16′ Diaphone (Wood)

16′ Diaphonic Horn (Metal)

16′ Tibia Clausa (Solo)

16′ Double Gamba*

16′ Contra Viol

16′ Clarinet

16′ Oboe Horn*

16′ Bourdon

8′ English Horn

8′ Tuba Mirabilis

8′ Solo Trumpet

8′ Harmonic Tuba

8′ Trumpet

8′ Open Diapason

8′ Horn Diapason

8′ Pedal Tibia Clausa

8′ Tibia Clausa (Solo)

8′ Tibia Clausa (Main)

8′ Lieblich Tibia

8′ Solo String

8′ Gamba

8′ Violin

8′ Cello (VDO)

8′ Clarinet

8′ Kinura

8′ Oboe Horn

8′ Flute

8′ Dulciana

4′ Principal

4′ Tibia Clausa (Solo)

Mixture 3rks

8′ Principal

8′ Gedeckt

16′ Piano

8′ Piano

Timpani Roll (Synth)

Timpani Tap (Synth)

Bass Drum

Kettle Drum

Crash Cymbal

Tap Cymbal

Sizzle Cymbal

Choke Cymbal

Brush Cymbal

Octave

Accomp to Pedal

Great to Pedal

Great Oct Pedal

Orchestral to Pedal

Orchestral Oct Pedal

Solo to Pedal

Antiphonal to Pedal PEDAL BACKRAIL

Digital Interface #1

Digital Interface #2

8′ Tibia Clausa (Solo) Pizz

Solo to Pedal Pizz ACCOMPANIMENT

8′ English Horn

8′ Harmonic Tuba

8′ Trumpet

8′ Open Diapason

8′ Horn Diapason

8′ Tibia Clausa (Main)

8′ Lieblich Tibia

8′ Clarinet

8′ Krumet

8′ Orchestral Oboe

8′ Kinura

8′ Saxophone

8′ Gamba

8′ Violin

8′ Viol d’Orchestre

8′ Cor Anglais

8′ Oboe Horn

8′ Quintadena

8′ Concert Flute

8′ Flute Celeste

8′ Vox Humana (Solo)

8′ Vox Humana (Main)

8′ Dulciana

4′ Octave4′ Octave Horn

4′ Piccolo (Main)

4′ Lieblich Piccolo

4′ Gambette

4′ Violin

4′ Viol

4′ Flute

4′ Flute Celeste

4′ Vox Humana

4′ Vox Humana

4′ Dulcet

2 2/3′ Twelfth (Flute)

2′ Piccolo (Main)

2′ Harmonic Piccolo

2′ Piccolo (Flute)

8′ Piano

4′ Piano

8′ Accordion

Marimba

Sub Harp

Harp

Sub Vibraphone

Vibraphone

Sub Chrysoglott

Chrysoglott

Snare Drum

Tom Tom

Tambourine

Castanets

Maracas

Chinese Block

Sand Block

Jazz Cymbal

Sub Octave

Unison Off

Octave

Great Oct Accomp

Orchestral to Accomp

Solo to Accomp

Antiphonal to Accomp ACCOMP  BACKRAIL

Digital Interface #1

Digital Interface #2 2nd Touch

8′ English Horn

8′ Tuba Mirabilis

8′ Solo Trumpet

8′ Harmonic Tuba

8′ Open Diapason

8′ Tibia Clausa (Solo)

8′ Lieblich Tibia

8′ Clarinet

8′ Krumet

4′ Piccolo (Solo)

4′ Piccolo (Main)

2′ Piccolo (Solo)

8′ Piano

Harp

Master Xylophone

Glockenspiel

Cathedral Chimes

Triangle

Finger Cymbals

Accompaniment Traps

Great Oct Accomp

Orchestral to Accomp

Solo to Accomp

Antiphonal to Accomp

Solo to Accomp Pizz GREAT

16′ Double English Horn

16′ Tuba Mirabilis TC

16′ Solo Trumpet

16′ Tuba Profunda

16′ Diaphone

16′ Diaphonic Horn

16′ Tibia Clausa (Solo)

16′ Tibia Clausa (Main) TC

16′ Lieblich Tibia

16′ Clarinet

16′ Krumet TC

16′ Orchestral Oboe TC

16′ Musette TC

16′ Saxophone TC

16′ Double String TC

16′ Double Gamba

16′ Violone TC16′ Contra Viol

16′ Vox Humana (Solo) TC

16′ Vox Humana (Main) TC

8′ English Horn

8′ Tuba Mirabilis

8′ Solo Trumpet

8′ Harmonic Tuba

8′ Trumpet

8′ Open Diapason

8′ Horn Diapason

8′ Tibia Clausa (Solo)

8′ Tibia Clausa (Main)

8′ Lieblich Tibia

8′ Clarinet

8′ Krumet

8′ Orchestral Oboe

8′ Kinura

8′ Musette

8′ Saxophone

8′ Solo String

8′ Gamba

8′ Violin

8′ Viol d’Orchestre

8′ Cor Anglais

8′ Oboe Horn

8′ Quintadena

8′ Concert Flute

8′ Vox Humana (Solo)

8′ Vox Humana (Main)

5 1/3′ Quint (Solo Tibia)

5 1/3′ Lieblich Quint

4′ Clarion

4′ Octave

4′ Octave Horn

4′ Piccolo (Solo)

4′ Piccolo (Main)

4′ Lieblich Piccolo

4′ Solo String

4′ Gambette

4′ Violin

4′ Viol

4′ Harmonic Flute

4′ Flute

3 1/5′ Tenth (Solo Tibia)

2 2/3′ Twelfth (Solo Tibia)

2 2/3′ Leiblich Twelfth

2 2/3′ Twelfth (Flute)

2′ Piccolo (Solo Tibia)

2′ Lieblich Piccolo

2′ Fifteenth

2′ Harmonic Piccolo

2′ Piccolo (Flute)

1 3/5′ Tierce (Solo Tibia)

1 3/5′ Tierce (Flute)

1 1/3′ Larigot (Solo Tibia)

1′ Fife (Solo Tibia)

Mixture 5rks

16′ Piano

8′ Piano

4′ Piano

Marimba

Harp

Master Xylophone

Xylophone

Orchestra Bells

Glockenspiel

Vibraphone

Chrysoglott

Cathedral Chimes

Sub Octave

Unison Off

Octave

Orchestral Sub Great

Orchestral to Great

Solo Sub Great

Solo to Great

Antiphonal to Great GREAT  BACKRAIL

Digital Interface #1

Digital Interface #2

Solo Ensemble Gt

Solo Melody 2nd Touch

16′ Double English Horn

8′ Tuba Mirabilis

8′ English Horn

8′ Solo Trumpet

Orchestral to GreatSolo to Great

Orchestral to Great Pizz

Solo to Great Pizz ORCHESTRAL

16′ Double English Horn

16′ Tuba Mirabilis TC

16′ Solo Trumpet

16′ Tuba Profunda

16′ Tibia Clausa (Main) TC

16′ Lieblich Tibia

16′ String Ensemble (Solo)

16′ String Ensemble (Main)

16′ Saxophone TC

16′ Vox Humana 2rks TC

8′ English Horn

8′ Tuba Mirabilis

8′ Solo Trumpet

8′ Harmonic Tuba

8′ Trumpet

8′ Open Diapason

8′ Horn Diapason

8′ Tibia Clausa (Main)

8′ Lieblich Tibia

8′ Clarinet

8′ Krumet

8′ Musette

8′ Saxophone

8′ String Ensemble (Solo)

8′ String Ensemble (Main)

8′ Quintadena

8′ Cor Anglais

8′ Flute Celeste (2rks)

8′ Vox Humana (2 rks)

8′ Dulicana

5 1/3′ Tibia Quint (Main)

4′ Octave

4′ Octave Horn

4′ Piccolo (Main)

4′ Lieblich Piccolo

4′ String Ensemble (Solo)

4′ String Ensemble (Main)

4′ Harmonic Flute

4′ Flute Celeste (2rks)

4′ Dulicet

3 1/5′ Leiblich Tenth

2 2/3′ Harmonic Twelfth

2 2/3′ Lieblich Twelfth

2 2/3′ Twelfth (Main)

2′ Lieblich Piccolo

2′ Harmonic Piccolo

1 3/5′ Lieblich Tierce

1’ Lieblich Fife

8′ Imperial Trumpet

8′ Piano

Marimba

Harp

Master Xylophone

Xylophone

Glockenspiel

Chrysoglott

Vibraphone

Cathedral Chimes

Sub Octave

Octave

Antiphonal to Orch ORCH  BACKRAIL

Digital Interface #1

Digital Interface #2

Great to Orchestral Pizz

Solo to Orchestral Pizz

Solo Ensemble Orch

Solo Melody SOLO

8′ English Horn

8′ Tuba Mirabilis

8′ Solo Trumpet

8′ Harmonic Tuba

8′ Trumpet

8′ Open Diapason

8′ Horn Diapason

8′ Tibia Clausa (Solo)

8′ Tibia Clausa (Main)

8′ Clarinet

8′ Krumet

8′ Orchestral Oboe

8′ Kinura

8′ Musette

8′ Saxophone

8′ String Ensemble (8 rks)

8′ Cor Anglais

8′ Oboe Horn

8′ Quintadena

8′ Vox Humana (2 rks)

4′ Piccolo (Solo)

4′ Piccolo (Main)

4′ String Ensemble (8 rks)

4′ Harmonic Flute

2 2/3′ Twelfth (Main)

2′ Piccolo (Solo)

2′ Piccolo (Main)

1 3/5 Tierce (Main)

8′ Imperial Trumpet

8′ Piano

8′ Accordion

Marimba

Harp

Master Xylophone

Xylophone

Orchestra Bells

Glockenspiel

Sleigh Bells

Saucer Bells

Vibraphone

Chrysoglott

Cathedral Chimes

Sub Octave Coupler

Unison Off

Third Coupler

Fifth Coupler

Octave Coupler

Tenth Coupler

Twelfth Coupler

Tierce Coupler

Larigot Coupler

Accomp Sub Solo

Accomp to Solo

Orchestral Sub Solo

Orchestral to Solo

Orchestral Oct Solo

Antiphonal to Solo SOLO  BACKRAIL

Digital Interface #1

Digital Interface #2

Digital Interface #3 ANTIPHONAL

8′ Imperial Trumpet

8′ Principal

8′ Gedeckt

4′ Principal

4′ Nachthorn

2 2/3′ Twelfth

2′ Fifteenth GENERALS

Horn Diapason Cel. Off

Solo String Cel. Off

Gamba Cel. Off

Violin Cel. Off

Viol d’Orch Cel. Off

Dulciana Cel. Off

Master Xylophone Re-it

Xylophone Re-it TREMULANTS

Main I 5 rks

Main II 4 rks

Main III Clar/Dia

Solo I Sax, Hn Dia, Kin

Solo II Krum/Mus

Solo III Str/Oboe Hn

Solo IV (Str/Quint/Cor)

Tuba Mirabilis

Trumpet

Trumpet

Tuba

Solo Tibia

Main Tibia

Lieblich Tibia

Harmonic Flute

Vox Humana I & II

Antiphonal KEYCHEEK CONTROLS

Accompaniment

Left:

Crash Cymbal

Roll Cymbal

Sostenuto*

Bird #1

Wind chimes

Right:

Bell

Antiphonial Blower Great

Left:

Sostenuto*

Solo 4th touch*

Great trems on*

Right:

Transposer Up*

Transposer Neutral*

Transposer Down*     Orchestral

Left: Orch 4th touch*

Sostenuto*

Orch trems on*

Rt: Swell Shades Select

Full*

Normal*

Soft* Solo

Alternate Crescendo* OTHER CONTROLS Combination Pistons:

4 memory levels + tape storage

15 per manual

12 pedal (Accomp/toe)

15 Pedal/Acc 2nd touch

24 Generals

6/top 3 manuals

6 on toe pistons   Cancels

(above Solo manual) Gen, Acc. & Pedal trap

Trem reversable

Divisional label cancels Toe Pistons

Trem, Trap, Gen. Cancel

Wind Chimes; silencer

32′ Tibia, Bombarde,

16’Post Horn reversibles

6 General/pedal pistons Piano Pedals

Roll Cymbal

Grand Crash

Pedal Chime

Thunder   Swell Pedals

Main

Solo

General

Piano Sustain/Sost

Crescendo (2 memories)   Swing Out Trays

Left:

Effects (27)

Right:

Console controls

2nd touch trem

switches

rhythm controls MISC. INFORMATION

4′ Pedal Principal is rank #1 of the 3 rank Pedal Mix.

Above Solo keycheek (left): cresc. indicator; indicator lights for sostinuto, silencer and console power

Silencer controls Tuba Mirabilis and Post Horn

Above Solo keycheek (rt): Select buttons for Viol d’Orch or Viol d’Amore.   Console configuration

Main stop rails 225

Left partial 58

Right partial 58

Backrail 77

Total stop keys 418

*Backlight buttons

CHAMBER ANALYSIS

MAIN CHAMBER

16′-4′Tuba Horn  85 pipes Wurlitzer
16′-4′ Open Diapason 85 pipes Wurlitzer
8′ Trumpet 61 pipes Wurlitzer
16′-8′ Clarinet 73 pipesWurlitzer
8′ Tuba Mirabilis61 pipesDennison
8′-2′ Tibia Clausa 85 pipesWurlitzer
16′-2′ Lieblich Tibia 97 pipes Morton
8′-4′ Gamba  73 pipes Morton
8′-4′ Gamba Celeste73 pipesMorton
8′-2′Violin  85 pipes Wurlitzer
8′-4′ Violin Celeste 73 pipesWurlitzer
8′ Orchestral Oboe 61 pipes Wurlitzer
8′-4′ Dulciana  73 pipes Wurlitzer
8′-4′Dulciana Celeste 73 pipes Wurlitzer
16′-2′Concert Flute  97 pipes Wurlitzer
8′-4′ Flute Celeste  73 pipes Wurlitzer
8′ Vox Humana  61 pipesWurlitzer
  Mixture 5rks  305 pipes Austin
  Chrysoglott  49 bars Wurlitzer
  Chrysoglott Celeste  49 bars Wurlitzer
  Chimes  25 tubes Wurlitzer
  Saucer Bells30 actions  
  Accordion  49 notes  
 Upper Swell Shades 12 actions Wurlitzer
  Lower Swell Shades  16 actions Wurlitzer
        

SOLO CHAMBER

16′-8′ English Horn  61 pipes Haggart
16′-2′ Tibia Clausa  97 pipes Wurlitzer
16′-2′ Viol d’Orchestra  97 pipes Wurlitzer
8′-4′ Viol Celeste  73 pipes Wurlitzer
16′-8′ Oboe Horn  61 pipes Wurlitzer
8′ Cor Anglais  61 pipes Skinner
16′-4′ Horn Diapason 73 pipes Morton
8′-4′ Horn Diap Cel 73 pipes Morton
8′-4′ Solo String  73 pipes Wurlitzer
8′-4′ Solo String Cel  73 pipes Wurlitzer
8′ Brass Trumpet  61 pipes Wurlitzer
8′ Kinura  61 pipesWurlitzer
8′ Krumet  61 pipes Wurlitzer
8′ Musette  61 pipes Trivo
8′ Saxophone 61 pipes Trivo
8′ Quintadena 61 pipes Wurlitzer
8′ Vox Humana  61 pipes Wurlitzer
4′ Viol d’Amour 3rks 183 pipes Wurlitzer
4′-2′ Harmonic Flute 73 pipesWurlitzer
  Pedal Mixture 3rks  96 pipes Austin
  Harp  49 bars Wurlitzer
  Master Xylophone  37 bars Morton
  Xylophone  37 bars Wurlitzer
  Glockenspiel  37 bars Wurlitzer
  Sleigh Bells  25 notesWurlitzer
  Traps  40 items Wurlitzer
  Upper Swell Shades 12 actions Wurlitzer
  Lower Swell Shades  16 actions Wurlitzer

ANTIPHONAL (UNENCLOSED)

8′Principal 73 pipesAustin
8′Trumpette en Chamade  61 pipesTrivo
8′Gedeckt 73 pipesAustin
4′Nachthorn61 pipesWicks
2 2/3′Twelfth 61 pipesAustin
2′Fifteenth 61 pipesAustin

Steinway 8′ Grand Piano (Pianocorder)

The following 32′ and 16′ extensions are electronically derived:

32′ Bombarde

32′ Diaphone

32′ Contra Tibia

16′ Trumpet

16′ Dbl Gamba,

16′ Dbl Gamba Cel

16′ Oboe Horn,

16′ English Post Horn

Other electronic equipment-32 MIDI channels

Roland 330 sampler; Roland 155 Sound Canvas; Roland JV 880 w/orch expansion board; Lexicon LXP-1 Multi-Effects Processing Module; 2 Mackie 1202 Mixers, QSC 1400 (MIDI) and Alesis RA-100 amplifier (Reverb), Cerwin-Vega/JBL speakers

Console: Reproduction French style Fox Special 4 manual built by Ken

Crome , finished in natural walnut with 418 stop keys & 96 pistons. 4

combination memories each with 2 crescendo settings. Tape backup.

Howard seat or bench available

Multiplexing system: Trousdale

Digital player: Trousdale computer system

Rectifier: 50 amp 3 phase Orgelectra

Blower: 15 hp 3ph Spencer Turbine 23″

2 hp 3ph Spencer 8″ (Antiphonal)

Regulators: 23 Wurlitzer; Tremulants: 18 Wurlitzer

Swell shades:

4 horizontal 7 blade wood Wurlitzer

4 vertical 10 blade Plexiglas Wurlitzer

Organ is installed in two trapezoidal chambers approximately 200 square feet each. Chamber height varies from 18′ to 28′. There is a structural floor at the 7’6″ level which becomes a “second” floor upon which the main chests, off-note chests and percussions are mounted.

All tremulants and regulators are located on the lower level. Antiphonal division is divided on south wall of living room. All Austin pipework is from 1925 Morman Tabernacle Organ, Salt Lake City, Utah.